|
WILFRED
SEASON ONE / SEASON TWO
DVD.
Fabulous Films.
If
you’ve been watching US comedy series Wilfred,
recently broadcast in the UK on BBC3 (so you probably haven't
been watching it), then these two DVD releases of the original
Australian version might well be of interest – especially
if, like me, you didn’t actually know that there was
an original Australian version.
Expanded from a seven-minute short film, the basis for the series
is simple. Adam (Adam Zwar) meets up with Sarah (Cindy Waddingham)
and a Powderfinger(!) gig, and quickly moves in with her. The
only problem is her dog Wilfred (Jason Gann). To everyone else,
he’s a just a regular mongrel, but Adam (and the audience)
sees him as a man in a (rubbish) dog suit. Strange enough, but
Wilfred quickly turns out to be a jealous, overly-protective,
manipulative sociopath with a penchant for junk food, dope, beer
and smoking who cons Adam into getting involved in assorted capers
– robbing a neighbours cannabis farm, climbing over a slippery
roof in the pouring rain – while continually undermining
his relationship with Sarah.
Season One is an interesting mix – the bizarre nature of
the situation (and Adam’s casual acceptance of it) is the
basis for much of the humour, as Sarah remains oblivious to the
tensions and manipulations of her pet dog. This is not exactly
a buddy comedy – the two main protagonists can’t really
be called buddies – but it does have that vibe about it.
And it is oddly entertaining. Rarely laugh-out-loud funny, the
absurdity of the idea nevertheless sustains itself more than you’d
expect, thanks to Gann’s cynicism and Zwar’s wide-eyed
innocence. If Cindy Waddingham gets rather lost in the mix –
and her character is hard to take to, to be honest - that’s
understandable. The show mixes Wilfred’s human qualities
with typical dog behaviour (digging holes in the lawn, humping
toys, shouting (barking) at anyone who comes to the door) and
there is always the question of whether Adam really is
seeing something in Wilfred that no-one else can, or if he’s
just losing his mind.
Season
Two makes a few changes – rather than a collection of individual
stories, it develops more as an ongoing tale, starting with Adam
and Sarah agreeing to marry and ending with their wedding –
though nothing goes really smoothly. This series adds in more
‘animal’ characters, which could have been a disaster
but actually works quite well, even if it does take away from
the uniqueness of Adam and Wilfred’s behaviour. There’s
a bit of plot redux too – in Season One, we’re told
Wilfred was adopted by Sarah as a grown dog, but in this season,
he’s the son of her parents’ dog. Character surnames
are changed too.
The humour is perhaps a little broader this time out – it’s
certainly cruder. The first series wasn’t exactly family
viewing, but there’s more swearing, more turd jokes and
some extensive middle-aged nudity (Waddingham also has nude scenes,
but is all too obviously replaced with a body double) this time
around – and while this might seem an absurd statement to
make about a show with a talking dog played by a man in a suit,
the situations Wilfred and Adam find themselves in seem increasingly
implausible. Towards the end, they are making TV commercials,
entering dog fighting rings (‘Bite Club’ would you
believe?) and generally getting into wackier and wackier escapades.
It’s actually funnier than Season One, but it’s also
probably a good job the series ends here (and it does reach a
sort of conclusion, albeit not a very satisfying one) before things
became too stupid.
Still, this is an entertaining show that definitely grows on you
as it goes along. Edgier and more outrageous than the US version,
it’s well worth a look for fans of the new version as well
as people like myself who didn’t quite take to it.
DAVID
FLINT
BUY
SEASON ONE (UK)
•
BUY
SEASON TWO (UK)
|