TAKING
THE PISS
The Great Hip Hop Hoax and the BBFC's curious attitudes
towards urine
by David Flint
It's
something we all do. Male or female, young or old, human
or animal. Men frequently line up to do it while women
hold conversations while doing it. It's not illegal
and it's not sexual (unless you choose to make it so).
You can even buy children's dolls that simulate it.
It is, in fact, as natural as eating, sleeping and breathing.
So why do the BBFC have such a problem with urinating?
A fascinating conversation took place on Twitter yesterday
between the BBFC and Mum and Dad director
Steven Sheil, who was curious as to why Jeanie Finlay's
new documentary film The Great Hip Hop Hoax
had been slapped with an 18 rating. The reason, as it
turned out, was down to one single scene, a few seconds
long.
I'll let Jeanie Finlay explain the scene and its context:
“The context is that Billy Boyd and Gavin
Bain created fictional american identities for themselves
– Silibil 'n Brains. They believed that Americans
are louder and crazier and it gave them a license to
do whatever they like. They ramped up their behaviour
and aped Jackass. In the scene in question
Silibil pulls out his cock in the middle of a busy Piccadilly
Circus - says 'I need a piss" and urinates into
Brains' cupped hands. Brains then 'washes' his face
in the piss.
"It is pretty shocking to watch but is put into
context by the voiceover of the men from now reflecting
on their stupid behaviour. We then see them being beaten
up by bouncers as a consequence. It's integral to the
story to show how far their behaviour had gone.”
Now, that might sound strong stuff. But having watched
the scene in question, I can confirm that (a) it is
entirely within the context of a discussion about getting
caught up in fake personas and losing your identity
in the process, and (b) is both brief and not excessively
graphic – the 'face washing' takes place off-camera.
I can understand if the BBFC had a blanket policy stating
that on-screen urination meant an automatic 18. I might
not agree, but the policy would at least be clear. But
they don't. As Sheil pointed out, both A Field
in England and The Paperboy feature
pissing scenes. And both are rated 15. The BBFC response
to that was that those two films were “feature
films and thus the scenes are simulated”
and that “the strong detail” in
TGHHH“would confound audience
expectations at 15”. Of course, Sheil could
have also pointed at an older film, The Draughtsman's
Contract, which is also rated 15 and features
very clear real urination. Would audiences
have expected that, especially as it plays
no part in the story?
So it would seem that entirely gratuitous shots of pustulating
cocks pissing are okay at 15 if they are not real, and
genuine urination is fine too. The offence here seems
to be the fact that it was one person pissing into the
hands of another in a Dirty Sanchez
/ Jackass-like moment. The fact that
the scene is included as an example of how out of control
the false identities adopted by the pair became doesn't
matter. The fact that it is not remotely glamourised
(in fact, quite the opposite) or sexualised doesn't
matter. The fact that this is a cautionary tale and
the scene more likely to disgust than amuse doesn't
matter. All that matters are entirely imagined “audience
expectations.” There is, you'll note, no
suggestion that it would actually be harmful to fifteen,
sixteen or seventeen year old viewers. Just confounding.
This might not be such a big deal if this wasn't a documentary
made with considerable youth appeal. Or if audiences
had been horrified about the scene being shown to teenagers.
But no one has. As Finlay comments, “at Doxa
in Vancouver it was selected as part of the "made
for youth' programme, rated as a 14a and won the inaugural
Nigel Moore youth jury award for best film. At the Edinburgh
Film festival it was selected for the 'not another teen
movie" strand and I attended a Q&A and special
screening for the youth group of 15 year olds. I also
appeared on the Film Club broadcast, aimed at a teen
audience.”
Thanks to the BBFC, such screenings will now be forbidden.
The film could, of course, be cut – but why should
it be? Any cut would damage the story being told and
is frankly unnecessary.Thankfully, cuts seem off the
agenda, so I guess teenage viewers will just have to
wait until the TV broadcast.
Of course, the BBFC have long displayed a ridiculous,
unjustifiable and hypocritical attitude to pissing scenes.
Golden showers are still one of the forbidden acts in
porn, for no good reason. While there are plenty of
R18 releases that feature 'eroticised' urination, it's
only allowed if it remains in the singular; the moment
another person is involved, even if it's just a brief
splash hitting the skin, it becomes 'obscene'. But only
in porn films. Taxi Zum Klo features
a scene where one man pisses in to another's mouth,
for the purposes of sexual arousal. This film is passed
at 18, and so doesn't even have the sex shop restrictions
placed on R18 movies. But apparently – according
to the BBFC - “it was noted that the Obscene
Publications Act required that a work should be considered
as a whole and that, taken as a whole, Taxi Zum Klo
was unlikely to be found obscene. Whereas a sex work
with similar material might be found to be in breach
of the law, the fact that Taxi Zum Klo
had a different purpose to a 'sex work' (i.e. its purpose
was not merely to sexually arouse) meant that, as an
illustration of a particular lifestyle (rather than
an attempt to 'sell' or eroticise that lifestyle), it
was unlikely to render the work as a whole obscene.”
Of course, there's no evidence to show whether juries
would or wouldn't make such a distinction. It's possible
that some juries may well find Taxi Zum Klo
obscene, especially with an 18 rating where it is more
likely that under-age viewers will be able to access
it (the OPA is based around who is 'likely' to view
it). More likely though, is that juries would not convict
a hardcore film based on a pissing scene – especially
if they are 'considering the work as a whole' and so
not just judging it by a few seconds of content. We
don't have to guess at this output – the recent
trial of Michael Peacock featured just such material,
and he was acquitted unanimously by a jury last year.
But BBFC rules – and the Crown Prosecution Service
advice they rely on – remain unchanged because
apparently it will take more than just one case to change
them. Of course, conveniently, the CPS are not pursuing
other cases and keep no records of the content of films
previously found obscene or why exactly they were convicted
– so we have no evidence that pissing scenes have
ever been the reason for conviction. This ruling
sits alongside the BBFC's now-discredited 'ten year
rule', where they claimed to be unable to pass former
video nasties uncut for a decade after the most recent
conviction. This was shown to be a made up restriction,
and the piss porn ban is much the same.
Censorship should be based solely on harm. Harm to participants
or to viewers. The BBFC in fact make a big deal of working
along those lines now. Watersports may be gross to many,
but they are not dangerous and are not illegal. Banning
the release of such material is frankly ridiculous and
seems more to do with a distaste for any outré
sexual desires than anything else.
The age restriction on The Great Hip Hop Hoax
denies the film to the audience that might benefit most
from its story of media spoofing and loss of control,
and it does so not in the name of safety, legality or
even decency. It does so because the censors think teenagers
shouldn't be able to see something that they might be
briefly grossed out (but not harmed) by, and intent
and context be damned. Let's just hope that no seventeen
year old ever looks down while stood at a urinal...
The
Great Hip Hop Hoax opens September 6th in the UK. For
adults only.