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IS
THAT A SEVERED ARM IN YOUR POCKET OR ARE YOU JUST PLEASED TO SEE
ME? HORROR MEETS PORN
by Nigel Wingrove
The
world of pornography and the world of the horror film may not
immediately look like two siblings separated at birth but their
similarities are like two halves of the same blood cell. Both
are genres often spurned and mocked by the mainstream, though
their commercialism wins begrudging respect. Horror throws up
multi million dollar successes like The Blair Witch Project
and Paranormal Activity and, equally, porn can
produce titles on meagre budgets and generate vast profits in
return.
Indeed, both genres are designed at their most basic to elicit
an emotional response in the viewer, fear and sexual arousal and
both have garnered a hugely loyal fan following as a result. Furthermore,
both genres have been, and continue to suffer from, censorship
and media blame when occasionally events in real life mimic events
on screen. But, most of all, both genres offer a route to film
mainstream and, even if that journey stops with a few cranky appearances
in some straight-to-DVD gore-ghastly or a few dozen anal gape
epics.
These are, after all, genres without shame and for the most part
without scruples; Hollywood may have had the casting couch but
horror has the casting coffin, and porn will just bend you over
the nearest sturdy object, fuck you stupid, film it, and release
it as ‘Casting Cuties’ before the ink’s dry
on your contract.
For porn stars, horror offers a relatively easy entry point into
the mainstream, though the reality is that most lack either the
talent or ability to truly shed their porn past. The underage
porn star Traci Lords is an exception. Her transition occurred
after she had effectively ostracized the entire adult industry
by lying about her age and leaving key producers and distributors
open to prosecution for child pornography. She had no choice but
to move, appearing in titles like The Tommyknockers
before settling into a mainstream acting career that has taken
in everything from Will & Grace to The
Princess of Mars. For true porn-horror crossover though,
they don’t get any bigger than Jenna Jameson.
Jameson
is, first and foremost, a commodity. Having successfully clambered
up porn’s jizzum covered pole, she has set about consolidating
and exploiting her name and body in ways once the preserve of
mainstream celebrities. This transition came at a time when the
porn industry itself was shedding its image of being part criminal,
part illegal and made up of drug-addled performers and immoral,
misogynistic producers. By the nineties, porn was changing - no
longer illegal, it was starting to produce real stars and some
studios were making millions of dollars.
However successful, Jameson was still a pornstar and, in an attempt
to cross into the mainstream, she chose horror, though initially
with little more success than her less famous sisters. Her first
vehicle was a confused gorerotic title called Evil Breed:
The Legend of Samhain which probably holds the record
for the highest number of porn stars to star in a horror movie,
featuring Ginger Lynn Allan, Chasey Lain and Taylor Hayes, all
with heaving blood splattered bosoms.
Not that it mattered to Jameson of course, whose career into mainstream
respectability and superstardom was continuing at breakneck speed
with appearances on the Oprah Winfrey show and features in Vanity
Fair magazine. Yet, within a few years, Jameson was back
in horror, this time in the hugely successful Zombie Strippers,
with Elm Street's Robert Englund and alt. rock
star Roxy Saint, where she does what she does best, stripping
off and eating flesh. The audiences loved it, so much so that
Jameson was soon back in horror again, this time with William
Shatner in Horrorween, the world's first viral
horror movie and its a given that Jameson will not lie down and
die but, like a character in a horror film, will just keep coming
back for more.
Indeed,
dozens of porn stars have crossed into horror. And most 'scream
queens' have flirted at the very least with glamour, stripping
and pole dancing. It makes the women who do this tough (anyone
who has seen a single, potentially vulnerable stripper, control
a rowdy drunken crowd of men with a look will know this), uninhibited
and great movers which, if they also have an acting ability, make
them perfect for horror.
Horror has actually mixed sex and violence for decades, from Hammer's
curvy beauties to Jess Franco and Jean Rollin's forays into dark
erotic horror. Fear and sex have long been uneasy bedfellows with
pornography's graphic pleasures constantly hinted at or used to
tease and entice the viewer. Yet the mixing of horror with strong
sexual content is never a happy mix, stirring as it does too many
conflicting and disturbing emotions, and for this reason it is
an area that whilst not taboo is rarely ventured into.
One who did is Joanna Angel, the New York producer, business women
and Alt. (Alternative) pornstar, whose gruesome porn films XXXorcist
and Re-Penetrator looked briefly set to ignite
a whole new horror porn craze. They didn't, but they were a brave
attempt, with genuine gore effects and full-on genital action,
double-penetration scenes and green cum slime. Whilst these two
horror-porn crossovers did not spawn a resurgence of similar goregasm
material, they did help propel Angel towards the mainstream with
softcore versions of these films.
The
porn film that really broke the rules though was Porn
of the Dead, mixing Fulciesque levels of gore with full
on sex with the result that viewers could get turned on seeing
someone get sucked off one minute and be in danger of throwing
up the next, as the fellatio-loving zombie girl bit the man's
cock off! Such horrors abounded and made Porn of the Dead
almost unwatchable and proved, once and for all, that flesh and
entrails just don't mix, no matter how toned the stomach with
guts ripped out of.
What does mix is the glamour that pornstars, rockstars and celebrities
can bring to a struggling horror production, their presence alone
ensuring greater sales and commercial success. In an era obsessed
by fame, we have seen Paris Hilton appear first in a sex tape
and then in House of Wax, while renowned director
Steven Soderbergh chose beautiful 22 year old porn star Sacha
Grey for his lead in his acclaimed movie The Girlfriend
Experience. Even Ron Jeremy, pornography's chubby Lothario,
made it into Troma's Toxic Avenger IV.
What all this means is that porn and horror, thanks to the tenacity
of its performers, directors and producers, is not just alive
and kicking, but thriving. Thanks in part to the internet and
to the activities of Jameson and co, the public no longer see
porn as a criminal product but rather as something fun, if a little
risque. And horror, well horror's never had it so good, and while
every year dozens of would be Blair Witch productions are scurrying
around looking for their star or an actress who doesn't mind showing
a bit of flesh, or both, there will always be a place in horror's
coffin for this year’s model.
Originally
published by Gorezone.

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