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THE DARK KNIGHT XXX
DVD. Vivid.

The Dark Knight XXXAlex Braun had already tackled the caped crusader in Batman XXX, though at that time he was channelling the high camp of the 1960s TV series. This time round, his Bataman pastiche is a darker affair, taking influences not only from the Christopher Nolan films, but also the comic books and, most significantly, the video games.

The Dark Knight XXX opens with a disillusioned Bruce Wayne Giovanni Francesco) leaving Gotham and hiding out in snow-covered mountains. Riddled with guilt over the deaths of Batgirl (Penny Pax) and, by interence, Commissioner Gordon (Tom Byron) and having battled with Poison Ivy (Dani Jensen) for the soul of Nightwing (Brian Street Team), he’s decided that the presence of Batman in Gotham simply makes things worse. But when Catwoman (Aiden Ashley) turns up to tell his that ex-girlfriend Kathy Kane (Andy San Dimas) has been kidnapped by Bane (Derrick Pierce), he once again goes into battle, only to find himself betrayed by those he thought he could trust.

As you can see, the film is certainly ambitious – but that is its downfall. Nolan, after all, has just taken the best part of three hours to tell a far less character-heavy story, and he didn’t have to find room for several 20 minute plus sex scenes. The resulting film feels pretty messy and episodic – each character (and in addition to those already named, we get The Joker, John Constantine and Zatanna) gets a little scene that is generally unconnected to anything else, and the end up feeling like bits from far longer stories. The film opens up with the Joker (Brendon Miller) having captured Batgirl and Gordon, but we get no context of a story so far, and the same is true of the scene with Nightwing and Poison Ivy (which also happens to have the worst two actors in the film).

Braun’s Star Wars XXX included a non-sex version that was an hour long; this has a non-sex version that clocks in at just 21 minutes. Admittedly, with Star Wars, Braun had a full story to spoof, whereas here he’s effectively creating his own narrative from existing characters, but that difference in time for actual plot development makes all the difference. Star Wars XXX worked as a narrative story; this struggles.

The Dark Knight XXXLook, I know you might think I’m missing the point, but I disagree. With so much porn available, why should someone pick up a film like this unless they were looking for something more? Given the effort put into these films, and the fact that they are now being (smartly) marketed more to the comic book and cult movie crowd than to regular porn audiences (and yes, I know there is a huge crossover between all three), I don’t think it would hurt to stop following the rules of standard porn, and cut back the length and frequency of the sex, because no-one is buying this to jack off to – and if they are, the sight of The Joker analing Batgirl won’t take that long to get them where they need to go.

Because this is an impressive effort, production wise. Braun can do this sort of thing with his eyes closed by now, but his ability to craft impressively atmospheric and authentic-feeling scenes from second-hand, borrowed material remains impressive. The Batman costume – styled after the look of the games rather than the movies – is spot-on, as are those of the supporting characters, Kylie Ireland and Andy Appleton do a bang-up job with the set design, and most performances are decent – Miller and Ashley perhaps standing out as actors, and Christy Mack as Zatanna gets my vote in terms of hotness. This is, obviously, head-and-shoulders above most adult product out there right now. I’m arguing that it could actually compete in the mainstream, given more confidence and open-minded thinking from whoever it is (Braun? The Vivid bosses?) that demands as many and as lengthy sex scenes as you’ll find in any basic porno.

If you just want to see your favourite characters in a slickly produced adult film, you’ll probably be happy enough. But I still think that these lovingly produced films are underestimating both their own potential and their audience. As popular as they currently are (and I’ve no doubt this will be another best-seller), I think they could do so much more. Maybe The Dark Knight XXX needs to lose one ‘X’ to really be the film it wants to – and so easily could – be.

BUY IT NOW (USA)

 

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