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AFTERSHOCK
DVD region 2. Metrodome.
The
promotional artwork and trailer for Aftershock
suggest that this will be China's answer to the big Hollywood
disaster film - a somewhat misleading suggestion, in fact. The
actual film is far more interesting - a quiet, sometimes bleak
drama that effectively tells a story of heartbreak and suffering
with such power that during the first half, I wondered if I could
stand to watch the whole film.
The film opens in 1976, with the Tangshan earthquake - a 23 second
tremor that left quarter of a million people dead and many more
homeless. The focus of the film's attention is one family - specifically
Li Yuanni (Xu Fan), who first sees her husband crushed as he tries
to rescue their twin children from there collapsing home, and
then has to make an impossible choice - she's told that the children
are both trapped under a concrete slab, and that by moving it
to rescue one, the other will be crushed. She has to decide which
child lives and which dies. Her decision and its consequences
are then the focus of the film as it moves through three decades,
until the earthquakes of 2008 draw the threads of the story together.
Aftershock is remarkable stuff. the earthquake
scenes at the opening are the match of any disaster film, but
while Hollywood blockbusters would then follow a series of pretty
stars who are neither physically or emotionally affected by the
devastation, director Feng Xiaogang focuses on the bleak horror
of the earthquake's aftermath - both immediate, as shattered families
wander aimlessly and broken bodies are lined up, and in subsequent
years, where the trauma of that night follows al the characters
involved.
The film unashamedly pulls at the heartstrings, but never to the
point of melodrama, and the acting of the leads is flawless (sadly,
the same can't be said of the one Western character who pops up
- thankfully briefly - towards the end), bringing a sense of realism
and emotional rawness to the story. Only the most cynical, dead
inside viewer will fail to be drawn into this story and find the
odd lump in the throat as the story progresses.
Beautiful, haunting and powerful, this may well be my film of
the year.
DAVID
FLINT
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